CLEMENTS PARK

is a New York-based artist. The work sits at the intersection of consumer culture and cultural legibility.

The work begins with a simple observation: the same object can contain multiple complete realities simultaneously. Which one you experience depends entirely on what you bring to it.

The practice is large-scale sticker collage. Each canvas is built from hundreds of hand-trimmed stickers, white borders removed with precision, layered to create visual coherence while deliberately concealing trademarked and copyrighted imagery. The obstruction is the argument. The concealed trademark is not a workaround. It is a comment on who owns a visual language, made from the very materials that saturate it.

Some pieces go further. MetroCard_KR contains a Korean-language double meaning that has been displayed publicly and never caught by anyone without the cultural key. The Korean American Flag constructs a hyphenated identity not by placing two flags side by side, but by merging them into a single surface made from the actual material of a lived life. No border. No hierarchy. No clean division.

The gap between what an outsider sees and what an insider knows is not incidental. It is the subject of the work.